The River Fans Out

Literature and its Theories in China

Specificaties
Gebonden, blz. | Engels
Springer Nature Singapore | e druk, 2020
ISBN13: 9789811577239
Rubricering
Springer Nature Singapore e druk, 2020 9789811577239
Onderdeel van serie China Academic Library
Verwachte levertijd ongeveer 9 werkdagen

Samenvatting

This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture. 

Specificaties

ISBN13:9789811577239
Taal:Engels
Bindwijze:gebonden
Uitgever:Springer Nature Singapore

Inhoudsopgave

Part 1: Semio-Narratology.- Chapter 1. Redefining Signs/Symbol and Semiotics.- Chapter 2. The Fate of Semiotics in China.- Chapter 3. The Problem of Time in a General Narratology.- Chapter 4. The Narrator and His/Her/Its Duality.- Chapter 5. Middle Reclining: The Repositioning of Cultural Markedness.- Part 2: Traditional Chinese Literature.- Chapter 6. Subculture as Moral Paradox: A Study of the Texts of the White Rabbit Plays.- Chapter 7. Historiography and Fiction in Chinese Culture.- Chapter 8. Chinese Fiction and Its Narrator.- Chapter 9. The Cultural Status of Chinese Fiction. Chapter 10. The Second Tide: Chinese Influence on American Poetry Today.- Part 3: Recent Chinese Literature.- Chapter 11. The Rise of Metafiction in China.- Chapter 12. Pure Poetry, Impure Criticism, and the Power of Academia.- Chapter 13. Post-isms and Chinese New Conservatism.- Chapter 14. Fiction as Subversion: Yu Hua.- Chapter 15. Ma Yuan, the Chinese Fabricator.- Chapter 16. A Fearful Asymmetry: Novel of the Future in 20th Century China.- Chapter 17. Poetics of Death.- Chapter 18. River Fans Out Chinese Fiction Since the Late 1970s.- Chapter 19. The New Waves in Recent Chinese Fiction.

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