Postmodern Parody in Latin American Literature

<div><div>1. Ideology and Parody; Helene Carol Weldt-Basson.- 2.&nbsp;Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers; Patricia Montilla.- 3.&nbsp;Postmodern Parody of The Enchanted Cottage in El beso de la mujer araña: Molina Leaves the Woods; Diane Marting.- 4.&nbsp;The Re (Naissance) of Texts: Parody and Rewriting in the Work of Luisa Valenzuela; Fernando Burgos Pérez.- 5.&nbsp;Of Ideological Continuums and Sentimental Memories: Enriquillo Sánchez’s Musiquito: Anales de un déspota y de un bolerista; Danny Méndez.- 6.&nbsp;Parody as Genealogy and Tradition in Nazi Literature in the Americas; Fátima R. Nogueira.- 7.&nbsp;Claudia Piñeiro’s Elena Knows: How Parody in the Crime Novel Explores Disability and Feminism; Patricia Varas.- 8.&nbsp;No Laughing Matter: Post-Soviet Cuba in the Orbit of Postmodern Parody; Elzbieta Sklodowska.- 9.&nbsp;Elective Affinities: The Spectacle of Melodrama and Sensationalism in Cinco esquinas; Jorge Carlos Guerrero.- 10.&nbsp;Postmodern Transpositions of the Latin American novela de la tierra: Maldito amor by Rosario Ferré and La otra selva by Boris Salazar; Helene Carol Weldt-Basson.</div></div>