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Viral Dramaturgies

HIV and AIDS in Performance in the Twenty-First Century

Specificaties
Gebonden, blz. | Engels
Springer International Publishing | e druk, 2018
ISBN13: 9783319703169
Rubricering
Springer International Publishing e druk, 2018 9783319703169
Verwachte levertijd ongeveer 8 werkdagen

Samenvatting

This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV.

This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.

Specificaties

ISBN13:9783319703169
Taal:Engels
Bindwijze:gebonden
Uitgever:Springer International Publishing

Inhoudsopgave

<div>1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century.-&nbsp;2. Alyson Campbell: GL RY—A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies.-&nbsp;3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV.-&nbsp;4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: ‘The Press / Supress / Our stories of happiness / They choose to define us / As “suffering headliners”’: Theatre-Making with Women Living with HIV.-&nbsp;5. Peter Dickinson: ‘Still (Mighty) Real’: HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail.-&nbsp;6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance.-&nbsp;7. Stephen Farrier: Re-membering AIDS, Dis-membering Form.-&nbsp;8. Jayson A. Morrison: Finding ‘creative rebellious gay boys’ in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies.-&nbsp;9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century.-&nbsp;10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa.-&nbsp;11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden.-&nbsp;12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism.-&nbsp;13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea.-&nbsp;14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions.-&nbsp;15. Sky Gilbert: AIDS Theatre in a ‘Post-AIDS’ Era: Reflections on My Recent Plays.-&nbsp;16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor.-&nbsp;17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre.- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP.- Notes on Contributors.</div>

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        Viral Dramaturgies