Film in the Anthropocene

Philosophy, Ecology, and Cybernetics

Specificaties
Paperback, blz. | Engels
Springer International Publishing | e druk, 2019
ISBN13: 9783030065690
Rubricering
Springer International Publishing e druk, 2019 9783030065690
Verwachte levertijd ongeveer 9 werkdagen

Samenvatting

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.

 

Specificaties

ISBN13:9783030065690
Taal:Engels
Bindwijze:paperback
Uitgever:Springer International Publishing

Inhoudsopgave

1. Introduction: Stepping into the Play Frame—Cinema as Mammalian Communication.- 2.&nbsp;Janus’s Celluloid and Digital Faces: The Existential Cyborg—Autopoiēsis in Christopher Nolan’s Memento.- 3. Documentary Intertext: Robert Gardner’s Dead Birds 1964.- 4.&nbsp;Cinema’s Historical Incarnations: Traveling the Möbius&nbsp;Strip of Biotime in Cloud Atlas.- 5. Documentary Intertext: John Marshall, The Hunters 1957.- 6.&nbsp;Janus East and West: Multicultural Polyvocality—Trinh&nbsp;Minh-ha’s The Fourth Dimension and The Digital Film.- 7. Documentary Intertext: Trance and Dance in Bali 1951.- 8.&nbsp;Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar.- 9.&nbsp;Documentary Intertext: André Singer’s and J. Stephen&nbsp;Lansing’s The Goddess and the Computer 1988.- 10.&nbsp;Conclusion: Toward a Transdisciplinary Critical Theory&nbsp;of Film.<p></p><p></p><br>

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        Film in the Anthropocene