Decentring Dancing Texts

List of Illustrations Acknowledgments Notes on Contributors Preface Intertextual Narratives in Dance Analysis; J.Lansdale Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam 'Tradition'; J.O'Shea Akram Khan's M a (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders Elusive Narratives: M.Ek &  G.Poesio On the Premises of French Contemporary Dance: Concepts, Collectivity, and 'Trojan Horses' in the Work of Jérome Bel and LoIc Touzé; T.D'Amelio Chasing voices: Ian Spink's Dancing Fugue (1988); J.Lansdale Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg Mad Hot Ballroom and the Politics of Transformation; S.Dodds Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall Harpies and Pyjamas: the Making of Heart Thief (2003); Deveril Index