<strong>Part I: Fundamentals</strong><br/>Chapter 1: Elements of Pitch<br/>Chapter 2: Elements of Rhythm<br/>Chapter 3: Introduction to Triads and Seventh Chords<br/>Chapter 4: Diatonic Chords in Major and Minor Keys<br/><strong>Part II: Diatonic Triads</strong><br/>Chapter 5: Principles of Voice Leading<br/>Chapter 6: Root Position Part Writing<br/>Chapter 7: Harmonic Progression and the Sequence<br/>Chapter 8: Triads in First Inversion<br/>Chapter 9: Triads in Second Inversion<br/>Chapter 10: Cadences, Phrases, Periods, and Sentences<br/>Chapter 11: Two-Part Tonal Counterpoint<br/>Chapter 12: Nonchord Tones 1<br/>Chapter 13: Nonchord Tones 2<br/><strong>Part III: Diatonic Seventh Chords</strong><br/>Chapter 14: The V7 Chord<br/>Chapter 15: Other Diatonic Seventh Chords<br/><strong>Part IV: Chromaticism</strong><br/>Chapter 16: Secondary Functions 1<br/>Chapter 17: Secondary Functions 2<br/>Chapter 18: Modulations Using Diatonic Common Chords<br/>Chapter 19: Some Other Modulatory Techniques<br/>Chapter 20: Larger Forms<br/><strong>Part V: Chromaticism 2</strong><br/>Chapter 21: Mode Mixture and the Neapolitan<br/>Chapter 22: Augmented Sixth Chords<br/>Chapter 23: Enharmonic Spellings and Enharmonic Modulations<br/>Chapter 24: Further Elements of the Harmonic Vocabulary<br/>Chapter 25: Tonal Harmony in the Late Nineteenth Century<br/><strong>Part VI: An Introduction to Twentieth-Century Music</strong><br/>Chapter 26: Materials and Techniques<br/>Chapter 27: Post-Tonal Theory<br/>Chapter 28: New Directions<br/>