Voice and Voicelessness in Medieval Europe

<p>Editor's Introduction; Irit Ruth Kleiman</p><p>PART I: THE NATURE AND LIMITS OF THE HUMAN: VOICE AND LANGUAGE<br/>1. Locutio Angelica, or Language without Voice; Ghislain Casas<br/>2. Mimicry, Subjectivity, and the Embodied Voice in Anglo-Saxon Bird Riddles; Robert Stanton</p><p>PART II: THE SOCIAL BODY: VOICE, AUTHORITY, AND COMMUNITY<br/>3. Ritual Voices and Social Silence: Funerary Lamentations in Byzantium ; Hélène Bernier-Farella<br/>4. Viva voce: Voice and Voicelessness Among Twelfth-Century Clerics ; Bruno Lemesle<br/>5. Abelard and Heloise between Voice and Silence; Babette S. Hellemans</p><p>PART III: RHETORIC AND SUBJECTIVITY: POLYPHONIC VOICES<br/>6. The Voice of the Unrepentant Crusader: &quot;Aler m'estuet&quot; by the Châtelain d'Arras; Marisa Galvez<br/>7. Margery's &quot;Noyse&quot; and Distributed Expressivity; Julie Orlemanski<br/>8. The Voice of the Possessed in Late Medieval French Theater; Andreea Marculescu</p><p>PART IV: AESTHETIC EXPERIENCES: REPRESENTATIONSOF HUMAN AND DIVINE VOICES<br/>9. &quot;Sanz note&quot; & &quot;sanz mesure&quot;: Towards a Pre-Modern Aesthetics of the Dirge; Anna Zayaruznaya<br/>10. Listening for canor in Richard Rolle's Melos amoris; Andrew Albin<br/>11. Mary between Voice and Voicelessness: The Latin Meditationes of Bernard de Rosier; Cédric Giraud<br/>12. Picturing the Voiceless in an Age of Visible Speech; Matthew Shoaf<br/>Bibliography<br/></p>