Theodor Adorno and Film Theory

The Fingerprint of Spirit

Specificaties
Gebonden, blz. | Engels
Palgrave Macmillan US | e druk, 2013
ISBN13: 9781137306135
Rubricering
Palgrave Macmillan US e druk, 2013 9781137306135
€ 64,60
Levertijd ongeveer 8 werkdagen

Samenvatting

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

Specificaties

ISBN13:9781137306135
Taal:Engels
Bindwijze:gebonden
Uitgever:Palgrave Macmillan US

Inhoudsopgave

Introduction: The Fingerprint of Spirit 1. The Subject/Object of Cinema: The Maltese Falcon (1941) 2. "A Deeper Breath": From Body to Spirit in Kiss Me Deadly (1955) 3. Negative Dioretix: Repo Man (1984) 4. "Jackie Treehorn Treats Objects Like Women!": Two Types of Fetishism in The Big Lebowski (1988)
€ 64,60
Levertijd ongeveer 8 werkdagen

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        Theodor Adorno and Film Theory