Art History after Deleuze and Guattari
Samenvatting
At the crossroads of philosophy, artistic practice, and art history
Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a 'Deleuzo-Guattarian art history' could be today.
Specificaties
Inhoudsopgave
Sjoerd van Tuinen and Stephen Zepke
Remake/Remodel: Strategies of Reading Art Historians
Vlad Ionescu
Egon Schiele: Vitalist Deleuzian
Elisabeth von Samsonow
The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images
James Elkins
Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri Maldiney
Claudia Blümle
Deleuze and Didi-Huberman on Art History
Gustavo Chirolla and Juan Fernando Mejía Mosquera
Colliding Chaoïds in Iconology
Sascha Freyberg
The Image and the Problem of Expression: Towards an Aesthetic Cosmology
Bertrand Prévost
The Late and the New: Mannerism and Style in Art History and Philosophy
Sjoerd van Tuinen
Tintoretto’s Michelangelo: An Artistic Diagram as the a priori of Art History
Kamini Vellodi
Painting Machines, “Metallic Suicide” and Raw Objects: Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War Art
Ann-Cathrin Drews
The Buren Times
Éric Alliez with the collaboration of Jean-Claude Bonne
‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art
Stephen Zepke
Art’s Utopia: The Geography of Art against (its) History
Antoine L’Heureux
About the authors