The Phenomenology of Moods in Kierkegaard

Specificaties
Paperback, 184 blz. | Engels
Springer Netherlands | 0e druk, 1978
ISBN13: 9789024720088
Rubricering
Springer Netherlands 0e druk, 1978 9789024720088
Verwachte levertijd ongeveer 9 werkdagen

Samenvatting

Kierkegaard himself hardly requires introduction, but his thought con­ tinues to require explication due to its inherent complexity and its unusual method of presentation. Kierkegaard is deliberately un-systematic, anti-systematic, in the very age of the System. He made his point then, and it is not lost upon us today. But that must not deter us from assembling the fragments and viewing the whole. Kierkegaard's religious psychology in particular may finally have its impact and generate the discussion it deserves when its outlines and inter-locking elements are viewed together. Many approaches to his thought are possible, as a survey of the literature about him will readily reveal. ! The present study proceeds with the simple ambition of looking at Kierkegaard on his own terms, of thus putting aside biographical fascination or one's own personal religi­ ous situation. I understand the temptation of both, and have seen the dangers realized in Kierkegaard scholarship. In English-language Kier­ kegaard scholarship, we are now in a new phase, in which the entire corpus of Kierkegaard's authorship is at last viewed as a whole. We have passed the stages of "fad" and of under-formed. Almost all the corpus is available in English, or soon will be. Perhaps now Kierkegaard can be viewed, understood, and criticized dispassionately and objectively, not withstanding author Kierkegaard's personal horror of those adverbs. The present study hopes to make its contribution toward this goal.

Specificaties

ISBN13:9789024720088
Taal:Engels
Bindwijze:paperback
Aantal pagina's:184
Uitgever:Springer Netherlands
Druk:0

Inhoudsopgave

I. Irony.- A. Irony and the Concept in The Concept of Irony.- Preliminary Considerations.- Irony as Tool.- The Ironic Consciousness.- Negative Aspects of Irony.- Mastered Irony.- The Essence of Irony as an Existence-Stance.- B. Irony as a Measurement and Tool in the Analysis of the Aesthetic Life-View.- II. Anxiety.- A. Anxiety in The Concept of Anxiety.- Style and Format.- Theory and History of Spirit.- Types of, and Stances in Relation to, Anxiety.- B. The Concept of Anxiety in Kierkegaard’s Other Writings.- C. The Idea of Anxiety. The Experience and Structure of Anxiety.- D. Attitudes toward Anxiety.- E. Anxiety and the Aesthetic Life-View.- III. Melancholy.- A. The Term “Melancholy”.- B. Melancholy in Either/Or.- As Reflected in the Structure of Part I.- As Described in Part I.- Judge William’s Analysis (Part II).- C. Melancholy in Repetition and Stages.- D. Towards a Concept of Melancholy.- IV. Despair.- A. Preliminary Considerations.- B. Despair in Either/Or.- C. Despair in The Sickness Unto Death.- Relation between Anxiety and Despair.- The Definition of the Self.- The Four Forms of Disequilibrium.- Unconscious Despair: the Commonest Form.- Conscious Despair: the Principal Forms.- D. The Idea of Despair.- State and Structure.- Experience and Act.- E. Despair and the Aesthetic Life-View.- V. The Moods and Subjectivity of the Young Aesthete Johannes.- A. Johannes’ Irony.- Seeking the Ideal.- Negative and Positive Irony.- The Stance of Johannes.- B. His Anxiety.- Johannes’ Essential Anxiety.- His Stance in Anxiety.- C. His Melancholy.- Johannes’ Awareness.- Johannes’ Tungsind.- Need for Resolution.- D. His Despair.- Johannes’ Disequilibrium.- His Stance: Conscious Despair.- E. Dialetic of Moods in Johannes.- VI. The Dialectic of Moods.- A. Defining “Mood”.- The Four Moods of the Self.- B. The Crisis-Sequence.- C. Interrelationships.- D. Function of Moods in Emerging Religious Subjectivity.- E. Moods and Life-Views.- VII. From Victim to Master of Moods: Towards the Christian Life-View.- A. Preliminary Considerations.- The Term “Life-View”.- Biographical Prelude.- Philosophy.- B. Life-View in From the Papers of One Still Living.- Background.- Theory of Literature.- Forming a Life-View.- C. Life-View in The Book on Adler.- D. Life-View in Either/Or, Stages and the Postscript.- E. Life-View in the Papirer.- F. The Meaning of Life-View.- G. The Aesthetic Life-View Exposed.- Conclusion.- Selected Bibliography.

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