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Film Art

An Introduction ISE

Specificaties
Paperback, blz. | Engels
McGraw-Hill Education | 13e druk, 2023
ISBN13: 9781265205478
Rubricering
Hoofdrubriek : Flora en fauna
McGraw-Hill Education 13e druk, 2023 9781265205478
Levertijd ongeveer 7 werkdagen

Samenvatting

Film is an art form with a language and an aesthetic all its own. Since 1979, Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Its Connect program includes invaluable tutorials featuring canonic film clips from the Criterion Collection. The thirteenth edition of Film Art includes extensively updated examples, and expanded coverage of digital filmmaking and the artistic and commercial implications of streaming.

Specificaties

ISBN13:9781265205478
Taal:Engels
Bindwijze:paperback
Druk:13
Verschijningsdatum:13-10-2023
Hoofdrubriek:Flora en fauna

Over David Bordwell

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.

Andere boeken door David Bordwell

Over Kristin Thompson

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste(James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.

Andere boeken door Kristin Thompson

Inhoudsopgave

About The Authors
Preface

PART ONE • Film Art and Filmmaking
CHAPTER 1 Film as Art: Creativity, Technology, and Business

PART TWO • Film Form
CHAPTER 2 The Significance of Film Form
CHAPTER 3 Narrative Form

PART THREE • Film Style
CHAPTER 4 The Shot: Mise-en-Scene
CHAPTER 5 The Shot: Cinematography
CHAPTER 6 The Relation of Shot to Shot: Editing
CHAPTER 7 Sound in the Cinema
CHAPTER 8 Summary: Style and Film Form

PART FOUR • Types of Films
CHAPTER 9 Film Genres
CHAPTER 10 Documentary, Experimental, and Animated Films
PART FIVE • Critical Analysis of Films
CHAPTER 11 Film Criticism: Sample Analyses
PART SIX • Film Art and Film History
CHAPTER 12 Historical Changes in Film Art: Conventions and Choices, Tradition and Trends
Glossary
Index
Optional Chapters (available through Create and Connect’s ebook)
Film Adaptations (supported by SmartBook)
Writing a Critical Analysis of a Film
Additional Resources for “Film As Art: Creativity, Technology, and Business”

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        Film Art