The Bible on Silent Film

Spectacle, Story and Scripture in the Early Cinema

Specificaties
Gebonden, 331 blz. | Engels
Cambridge University Press | e druk, 2013
ISBN13: 9781107042605
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Cambridge University Press e druk, 2013 9781107042605
€ 99,45
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Samenvatting

Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies.

Specificaties

ISBN13:9781107042605
Taal:Engels
Bindwijze:Gebonden
Aantal pagina's:331

Inhoudsopgave

Preface; 1. 'Like one of the prophets of old': passions and cameos; 2. 'See this great sight': spectacle and miracle; 3. 'That my wonders may be multiplied': Blackton and elaboration; 4. 'How are the mighty fallen': Feuillade and tragedy; 5. 'All the country wept aloud': Andréani and melodrama; 6. 'The top of it reached to heaven' – Griffith, analogy and scale; 7. 'She came close to his bed' – vamps and other leading ladies; 8. 'But Pharaoh hardened his heart': Exodus and Egypt; 9. 'The end of these wonders?': The triumph of spectacle; Afterword.
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        The Bible on Silent Film