Experimental Darkroom
Contemporary Uses of Traditional Black & White Photographic Materials
Samenvatting
The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts, ma’am” style.
Topics included are:
Photograms and clichés verre
Lumen prints
Chemigrams
Pinhole and zoneplate
Holgas
Chromo
Liquid emulsion and modern tintype
Lith printing
Sabattier
Mordançage
Bleaching and bleachout
Toning, traditional to experimental
Applied color and abrasion tone
Encaustic, photomontage, and collage
Bromoil
The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play!
Specificaties
Inhoudsopgave
Introduction
Chapter 1: Setting Up the Contemporary Darkroom
Chapter 2: Digital Negatives for the Contemporary Darkroom
Part 1: Cameraless Experimentaation
Chapter 3: Photograms and Cliché-Verres
Chapter 4: Lumenprints
Chapter 5: The Chemigram
Part 2: Camera Experimentation
Chapter 6: Pinhole and Zoneplate
Chapter 7: The Holga
Part 3 – Printing Experimentation
Chapter 8: Chromo
Chapter 9: Liquid Emulsion and Modern Tintype
Chapter 10: Lith Printing
Chapter 11: Sabattier
Part 4 – Finished Print Experimentation
Chapter 12: Mordancage
Chapter 13: Bleaching and Bleachout
Chapter 14: Toning
Chapter 15: Applied Color and Abrasion Tone
Chapter 16: Encaustic, Collage, Photomontage
Chapter 17: Bromoil
Part 5: Contemporary Experimental Artistis
Appendix
Bibliography