List of Plates Abbreviations Editorial Board Notes on the Contributors Editor's Introduction Acknowledgements YEATS AND THE NINETIES Ireland: Race, Nation, State: the Charles Stewart Parnell Lecture, 1998; D.Donoghue Seeking that which was Lost: More Light on the Origins and Development of the Golden Dawn; R.A.Gilbert How they Met Themselves: Rossetti and Yeats in the Nineties; P.Bickley Lionel Johnson's 'The Ideal of Thomas Davis' (1896); Edited by Warwick Gould W.B. Yeats, William Sharp, and Fiona Macleod: A Celtic Drama, 1897; W.F.Halloran 'Who Fears to Speak on Ninety-eight?; D.Toomey SHORTER NOTES Clairvoyance: A Lecture by V.H. Soror Deo Date; Edited by Warwick Gould Yeats and Idealism: the Philosophy of Light; M.Gibson Know Your Gogarty; A.N.Jeffares REVIEWS R.F. Foster, W.B. Yeats: A Life, Volume I, The Apprentice Mage: 1865-1914; J.Harwood W.B. Yeats, The Collected Letters of W.B. Yeats, Volume II , 1896-1900 , Edited by Warwick Gould, John Kelly and Deirdre Toomey; J.Pethica'A Finish Worthy of the Start': W.B. Yeats, Last Poems: Manuscript Materials, Edited by James Pethica; W.K.Chapman 'Yeats Digitally Remastered': The W.B. Yeats Collection Edited by Richard J. Finneran; W.Gould W.B. Yeats, The Secret Rose Con Traduzione Italiana a Fronte e Presentatione di Sergio Daneluzzi; F.Bugliani-Knox Marjorie Howes, Yeat's Nations: Gender, Class, and Irishness; P.L.Marcus 'Printed Perfect': William Blake: Blake's Illuminated Books , Vols 1-6, General Editor, David Bindman; D.Toomey Stephen Calloway, Aubrey Beardsley ; Matthew Strugis, Aubrey Beardsley : A Biography ; Linda Gertner Zatlin, Beardsley's Japonisme and the Perversion of the Victorian Ideal ; J.Desmarais Jane Harville Desarais, The Beardsley Industry: The Critical Reception in England and France, 1893-1914 ; J.Gardiner A Staging of Oscar Wilde's Salome by Mick Gordon, for the Gate Theatre and the Royal National Theatre Studio at the Riverside Studios, December 1998; R.A.Cave Shadows: A Trinity of Playsby J.M. Synge and W.B Yeats Directed by John Crowley for the Royal Shakespeare Company at the Pit, the Barbican Centre, London, December 1998; R.A.Cave PUBLICATIONS RECEIVED