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Frankenstein, A Longman Cultural Edition

Specificaties
Paperback, blz. | Engels
Pearson Education | e druk, 2006
ISBN13: 9780321399533
Rubricering
Pearson Education e druk, 2006 9780321399533
€ 39,34
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Samenvatting

From the Longman Cultural Editions series, this second edition of Frankenstein presents Mary Shelley's remarkable novel in several provocative and illuminating contexts: cultural, critical, and literary.

Series Editor Susan J. Wolfson presents the 1818 version of Mary Shelley's famous novel in its cultural and historical contexts. Like all great works of fiction, Frankenstein gains depth and dimension from its "conversation" with contemporary texts, especially those by Shelley's own parents, husband, and friends. In addition to the 1818 text, this cultural edition features the introduction to and a sample revision of the 1831 version. A lively introduction to the edition is complemented by a chronology coordinating Shelley's life with key historical events and a speculative calendar of the novel's events in the late eighteenth century.

Handsomely produced and affordably priced, each Cultural Edition consists of the complete text of an important literary work, reliably edited, headed by an inviting introduction, supplemented by helpful annotations, accompanied by a table of significant dates and a guide for further study, then followed by contextual materials that reveal the conversations and controversies of its historical moment.

See all the Longman Cultural Editions at www.ablongman.com/longmanculturaleditions.

Specificaties

ISBN13:9780321399533
Taal:Engels
Bindwijze:Paperback

Inhoudsopgave

<p style="MARGIN: 0px">List of Illustrations&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">About Longman Cultural Editions&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">About This Edition&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Introduction&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Table of Dates&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Frankenstein; or, The Modern Prometheus (1818)&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Volume I&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Volume II&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Volume III&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">from Frankenstein: or, The Modern Prometheus (1831)&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; M. W. S.’s Introduction&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Some Additions to Robert Walton’s first letters&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Some Additions and Revisions to Victor Frankenstein’s Narrative&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Victor’s childhood and the adoption of Elizabeth–Victor’s enchantment with occult science and his encounter with modern science–Victor’s departure for University of ­Ingolstadt–Clerval’s straits–Victor meets Professors Krempe and Waldman–Victor’s health suffers–Elizabeth’s report on Ernest Frankenstein–Clerval’s lament for William–Victor’s anguish over Justine and William–­Victor’s continuing agony–[Creature’s story of framing Justine]–Victor’s plans for a second creature–Clerval’s imperial ambitions–Victor’s apprehensions for his family, his longing for oblivion–Victor’s secret</p> <p style="MARGIN: 0px">Contexts&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Monsters, Visionaries, and Mary Shelley&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Aesthetic Adventures&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Edmund Burke on “the Sublime and the Beautiful”&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Mary Wollstonecraft on Burke’s genderings&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">William Gilpin on “the Picturesque”&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Samuel Taylor Coleridge, from The Rime of the Ancyent Marinere (1798)&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Mary Wollstonecraft, from Maria, or The Wrongs of Woman: Jemima’s story&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Mary Godwin (Shelley), from her journal of 1815: the death of her first baby&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Percy Bysshe Shelley, from Alasto; or, The Spirit of Solitude&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Mary Shelley, with Percy Bysshe Shelley, from History of a Six Weeks’ Tour: Alpine scenery&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Percy Bysshe Shelley, Mont Blanc&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">George Gordon, Lord Byron&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from Manfred, A Dramatic Poem&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from Childe Harold’s Pilgrimage, Canto the Third: Alpine thunderstorm&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Leigh Hunt, from Blue-Stocking Revels, or The Feast of the Violets&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Dr. Benjamin Spock, from Baby and Child Care&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">The Story-Telling Compact&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">George Gordon, Lord Byron, A Fragment&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">John William Polidori, The Vampyre&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">God, Adam, and Satan&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Genesis: chapters 2 and 3 (King James Bible)&nbsp;&nbsp;</p> <p style="MARGIN: 0px">John Milton, from Paradise Lost&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">William Godwin, from Political Justice&nbsp;&nbsp;</p> <p style="MARGIN: 0px">George Gordon, Lord Byron, Prometheus&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">William Hazlitt, remarks on Satan, from Lectures on the <br>English Poet&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Percy Bysshe Shelley</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from Prometheus Unbound&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from A Defence of Poetry&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">Richard Brinsley Peake, Frankenstein, A Romantic Drama in Three Acts&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Reviews and Reactions&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; [John Wilson Croker], Quarterly Review, January 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; [Walter Scott], Blackwood’s Edinburgh Review, March 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (Scot’s) Edinburgh Magazine and Literary Miscellany, March 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Belle Assemblée,&nbsp;March 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; British Critic, April 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gentleman’s Magazine, April 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Monthly Review, April 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Literary Panorama, June 1818&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Blackwood’s Edinburgh Magazine, March 1823&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; London Morning Post, reviews of Peake’s Frankenstein, July 1823&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; George Canning, remarks in Parliament, March 1824&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Knight’s Quarterly Magazine, August 1824&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; London Literary Gazette, 1831&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; [Percy Bysshe Shelley, posthumous], Anthenæum, November 1832&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Frankentalk: “Frankenstein” in the Popular Press of Today&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </p> <p style="MARGIN: 0px">Further Reading and Viewing&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </p>
€ 39,34
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        Frankenstein, A Longman Cultural Edition