Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell

Introduction: Listening to Recorded Poetry PART I: IN THE STUDIO, ON THE STAGE  Making Poetry Records, Remaking Poetic Voices: Caedmon and the Library of Congress Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishop PART II: IN FIRST PERSON, IN ANOTHER'S VOICE   Authenticity and Audience: Millay, Sexton, and Vocal Connections Impersonations: Poets, Preachers, Teachers, and the Remaking of God's Trombones Afterword: Out of the Audio Archive Appendix A: Learning to Listen: Poetry Recordings in the Classroom Appendix B: Selected List of Modernist Audio Archives