The Genius of Parody
Imitation and Originality in Seventeenth- and Eighteenth-Century English Literature
Samenvatting
Recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.

